Sweet mother of mercy, that's a good movie! If you can see it in IMAX, so much the better. I was totally blown away by this movie - hands down, bar none, the best movie of the summer. I'm sure that the IMAX experience was adding quite a bit to this film, but while the film was definitely long (maybe just a tad too long with several places along the way where it could have ended just fine), I didn't find myself getting bored or restless because the story was executed that well.
I really liked Tim Burton's original take on Batman with Michael Keaton and Jack Nicholson. The ambiguously retro time frame, the garish clothing, and the just-this-side-of-insane antics of Nicholson's Joker did the franchise justice and mixed the campy and pyschotic versions of the Joker into one neat character. Heath Ledger's take, on the other hand....wow, now that was creepy. Definitely more homicidally psychotic and much darker than the Burton version, Frank Miller's gritty characterization was all over this version. This Joker isn't doing things for vengeance, he's doing it purely for the element of chaos - a person with absolutely no rules and constraints and hence, no remorse. That is the scariest thing of all, my friends. Some of my viewing party wondered if immersing oneself in this kind of role would be enough to have contributed to Ledger's untimely death; one never knows, but it wouldn't be surprising.
Other than that stellar performance, this movie is just well done all around. Visually stunning, well acted, star-packed, and just really, really fun to watch. Having the swooping cityscapes and chase scenes filling my entire field of vision was really an immersive experience and felt more real than anything short of the U2 3D IMAX show. As ironic as it sounds when talking about a superhero movie, this one had just enough of a hint of real-world realism and timeline to make suspending the disbelief over stunts and gadgets an easy thing to do. Speaking of stunts, Christian Bale did as many of his own stunts as he was allowed to do, and the production team tried to do as many of the "trick shots" as possible with real actors and situations instead of CG, which I think really contributed more to the air of realism and grit in this movie. I think from this point forward, Chris Nolan and his team should be the only ones allowed to direct Batman movies. He just gets it. Definitely the best film I've seen yet this year or expect to see (even though I have high hopes for Deathrace coming up next month).
I think this film did a great job of exploring the darker aspects of the Batman story - the idea that unpredictable evil is brought about by the very presence of an overwhelmingly good force, and that one must exist alongside the other. It also explored the relationship between heroism and vigilantism, and where that line between do-gooder and criminal lies...is someone who breaks the law for the greater good worthy to be respected and allowed to continue, or is he just as bad as those who would break the law for personal gain or, in the case of the Joker, for the pure element of unpredictable chaos? When does someone cease doing things for good and become that which he fights?
The only really sad part of the film was when the Lamborghini Gallardo got smashed. Such a tragic thing to do to such a beautiful car.